Hi welcome back to mid Devon, the sun is shining ( again) and summer here is in full swing. It can be hard to remember that whatever us humans do, the world keeps turning and the seasons change. Even on a misty day, when the clouds hang low there is beauty to be seen
I know I get bogged down in my own life, bringing up teenagers, money worries, stressing about the future etc. etc. And then to look outside, everything is just going on as it always has. Whatever is going on, just pausing for a while and soaking in the view is so important . Small things noticed during the course of a day, a wren hopping under a shrub, the way the sunlight hits a cloud, a view glimpsed from the car window, and then gone.
These all lift my mood, not always remarked upon but so vital, to keep us going and make us feel better, connected somehow to the earth.
That is how painting makes me feel, being able to see things more clearly and really concentrate on the colour and form of a wildflower. I know gardening can be very similar and I imagine running or wild swimming ( although a brisk walk is the most exercise I can manage ) also connects people to their environments. I walk the same walk everyday ( I walk other walks too) but my walk is very special. My hubby said "don't you get bored, you could always go this way or that way?", but I find comfort in the familiar, that constantly changes with the weather and the seasons. My tree, my gap in the hedge, my puddle, my hedgerow are my companions, my connection to my home and I see them differently every day.
So today I thought you might like to try a small painting of a thistle, and really look at something and paint it, it will take you away from everyday stresses to really look at something beautiful for an hour or 2.
First I roughly sketch the thistle ( quite roughly)
Then I spray the paper with water and drop some pink around the flower, Ii like the splishy splashy nature of watercolour , so I want to exploit it. I am using rose madder, or permanent rose, watered down
After all the excitement leave it now, completely, to dry.
Now you can begin on the flower, look at the thistle and see how it is made, then use your brush and paints accordingly. There are lots of tiny spikes, so I use my brush to try to emulate them. Never trying to paint everything, but to get a feel for the subject. Start with the lightest colour first.
then while it begins to dry drop in some darker tones.
I could see some blues and purples in the flower too, paint what you see, try to be impulsive and gestural. Don't worry too much about it all ( remember we have left our worries behind while we paint this )
Define where the shadows are, and then let the paint settle.
Now move onto the base of the thistle, and add the colours you see, remember where the light needs to hit the plant. I used lemon yellow, cerulean blue and then greens.
You see how adding the marks makes the painting 'pop'. I add indigo to the greens to get a dark shade.
Now I add spikes with my brush, or sometimes I use a palette knife, into the wet paint
Give a suggestion of the prickles.
Finally I continue down the stem a bit , using lighter yellows and bluey greens, and my thistle is done.
Have a go , lose yourself for a few hours, and see what happens x
6 comments
Thank you for the lesson.